Art has the unique ability to capture the essense of a moment and preserve it for future generations. How will artists document and remember the moments after the 2010 Hatian earthquake? How should they? Tell us your thoughts.
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Art has the unique ability to capture the essense of a moment and preserve it for future generations. How will artists document and remember the moments after the 2010 Hatian earthquake? How should they? Tell us your thoughts.
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What does it mean to be a consumer of art? G. Blake MacPhail tackles this question for 2008's holiday season.
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Beth Robinson’s handmade dolls provide a wonderfully bizarre antithesis to the sweet-faced babydolls and Cabbage Patch Kids of many an American youth. Made from varied materials including polymer clays, vintage fabrics, and even human hair and teeth, they are more Nightmare Before Christmas than something you’d find neatly wrapped under the tree on Christmas...
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G. Blake MacPhail reviews Askew Contemporary Portraits at 215 College: Jennifer Koch, Lance Richbourg, Tarrah Krajnak, Paul Humphrey's take on the medium.
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Montpelier artist Delia Robinson shifted her creative focus to painting: “I am interested in what is hidden, mysterious, not as it seems.”
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Heather Gray incisively uses photography to explore her identity as woman, mother and artist, with intriguing, well-composed and often creepy results.
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G. Blake MacPhail reviews Lars-Erik Fisk's Barn Ball and talks about the work of this Burlington-based artist.
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G. Blake MacPhail interviews Pine Street Art Works' Liza Cowan, who expresses a strong desire to teach, learn and communicate, offers art with a distinct lack of pretension, generously inviting the public into a world where “pop culture is every bit as important as fine art culture.”
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When Aimee Marcereau DeGalan, new curator of UVM’s Robert Hull Fleming Museum, offers her personal definition of curating, it is clear what an asset her presence will be to the the university and to Burlington.
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Summon a mental image of a curator and you may think of a highly specialized and expert tastemaker or a somewhat intimidating art insider. The Firehouse Gallery’s new curator Chris Thompson, however, is as welcoming and enthusiastic as he is knowledgeable and articulate.
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